Podcasts

The Unpossessable Possessor Conversations

Episode 1 Mark Toscano & Jim Trainor

Mark Toscano und Jim Trainor diskutieren eingehend über ihre jeweiligen Filme “Releasing Human Energies” und “Harmony”. Unter anderem hört man Mark und Jim über die Ursprünge der sogenannten “China Girls” sprechen, über anthropomorphe Tiere, Delfinvergewaltigung und die Unschärfe von Animationsstudierenden.

Mark Toscano

Mark Toscano is a filmmaker, curator, and film preservationist based in Los Angeles. Since 2003, he has worked at the Academy Film Archive, where he specialises in the curation, conservation, and preservation of artists’ films. He works with the collections of over 100 filmmakers, and has overseen the conservation and preservation of hundreds of films. He has curated and presented programmes of archival work at numerous venues and is a programmer and board member of Los Angeles Filmforum, an experimental cinema exhibitor. He has lectured at various universities on experimental film and archiving, and teaches the History of Experimental Animation at CalArts. His films, which have shown in a very select scattering of bewilderingly generous venues, are available for rental from Canyon Cinema and Light Cone.

Jim Trainor

Jim Trainor was born in Philadelphia in 1961 and grew up in the Washington DC suburbs. He attended Columbia University, where he studied English literature, and lived in New York from 1979 to 2000, where he made his first widely screened animated films: The Fetishist, The Bats and The Moschops. In 2000 Trainor accepted a teaching position at the School of the Art Institute of Chicago. In Chicago he has made several more animated films, including Harmony, The Magic Kingdom and The Presentation Theme. All of these animated films were made on 16mm, with marker drawings on paper. In 2010 Trainor received a prize from the Alpert Award in the Arts, which enabled him to realise an idea for a live-action feature, his first, which would use actors to depict the life-cycles of insects. That project resulted in The Pink Egg.

Episode 2 Amy Halpern & Andrew Kim

In dieser Episode hören Sie Amy Halpern und Andrew Kim im Gespräch. In ihrer Unterhaltung geht es um die Vorstellung von unbesessenem Besitz, von Besitzergreifung durch die Augen und Film als Geschenk, das nie besessen werden kann. Sie sprechen außerdem über Amys Reaktion auf die Ideen, die wir in unserem Einführungstext skizzieren sowie auf einige zusätzliche Fragen zu ihrem eigenen Verständnis vom Filmapparat, die wir ihnen geschickt hatten. Sie diskutieren ausführlich über Amys Film Falling Lessons. Dieser Film steht nicht zum Streamen zur Verfügung, da er entsprechend Amys Wunsch nur im 16mm-Originalformat vorgeführt werden soll. Um einige Hintergründe zum Film zu liefern, ist hier ein Zitat des Filmkritikers Kevin Thomas: „Amy Halperns 64-minütiger Falling Lessons ist eine umwerfend sinnliche, lebensbejahende Filmerfahrung einer großen experimentellen Filmkünstlerin, die sich unzähligen Deutungen öffnet. Es handelt sich um eine rhythmische Montage von fast 200 Gesichtern, die Halpern mit vertikalen Kameraschwenks einfängt und so zu eine Kaskade menschlicher und tierischer Antlitze verbindet. Diese legt nahe, dass Individuen zwar einre Bandbreite von Emotionen zum Ausdruck bringen, letztendlich aber undurchschaubar bleiben. Die flüchtigen Momente des Lebens, das sich um diese Gesichter herum abspielt, sind von einer beunruhigenden, fast apokalyptischen Qualität. Der Film zwingt uns, Lebewesen und ihren Wert eher kollektiv denn selektiv wahrzunehmen. Halperns abwechslungsreiche Mischung von Klängen, Sprache und Musik ergänzt ihre Bilder perfekt.“

Abschließend noch eine Warnung: Die Audioqualität ist auf Amys Seite etwas dürftig, wir bitten dafür um Verständnis.

Amy Halpern

Amy Halpern’s films are abstract in their concern with light, movement and the film medium, but they are also human in their elements and themes. The idea which persists throughout her work is that liberation — from social, political, psychological, perceptual and even bodily constraints –, is indeed possible. Committed to encouraging a wider awareness of abstract film, Halpern co-founded two screening cooperatives: the New York Collective for Living Cinema (1972-1982) and the Los Angeles Independent Film Oasis (1975-1980). Halpern has collaborated as cinematographer and gaffer on many films. She is currently a member of the classic West coast light show Single Wing Turquoise Bird, performing on liquids and transparencies. Recent work is Assorted Morsels, a suite of eight short film exaltations. It includes Three Minute Hells, Injury On A Theme, By Halves, Palm Down and Elixir.

Andrew Kim

Andrew Kim is a filmmaker based in Los Angeles, CA. His films have screened at a variety of venues and festivals including the Ann Arbor Film Festival, International Film Festival Rotterdam, Images Festival, BAFICI, UnionDocs, and Los Angeles Filmforum, among others. He teaches filmmaking at the California Institute of the Arts and helps manage the Echo Park Film Center, a non-profit media arts center.

Episode 3 Alee Peoples & Mike Stoltz

Wir statten Alee Peoples und Mike Stoltz einen Besuch in ihrer Küche ab, wo sie sich ausführlich über ihren Film “Spotlight on a Brick Wall” unterhalten. Mike und Alee verfolgen in ihrer jeweiligen künstlerischen Praxis ihre eigenen Ansichten und Strategien. Dies war ihre erste filmische Zusammenarbeit. Sie führen uns Szene für Szene durch ihren Arbeitsprozess und sprechen dabei über das Verhältnis von Standup-Comedy und Expertimentalfilm, Magie und Performance und alle Einzelheiten des Drehens mit extrem brennbarem Pyropapier.

Alee Peoples

Alee Peoples maintains a varied artistic practice that involves screen-printing, sewing, sculpture and film. Currently living in Los Angeles, she has taught youth classes at Echo Park Film Center and shown her sculpture and film work at GAIT and 4th Wall. She has organised tours of her and fellow filmmakers’ works including a 13-date trip across the Southern U.S. in 2014. In the Fall of 2018, her and Mike Stoltz shared their films at microcinemas in The Netherlands and Berlin. Peoples has shown her films at numerous festivals including Edinburgh, Images (Toronto) and New York Film Festival, and at museums and spaces including SFMoMA, Brooklyn Museum of Art, The Pompidou Center, Dirt Palace (Providence) and The Nightingale (Chicago). She is inspired by pedestrian histories, pop song lyrics and invested in the hand-made.

Mike Stoltz

Mike Stoltz is a Los Angeles-based filmmaker who works directly with the tools of cinema – images, sound, and time – to reexamine the familiar. His 16mm films and videos have played at festivals and micro-cinemas around the globe. Prior to filmmaking he spent many years involved in every aspect of the DIY music scene, from playing in bands and releasing records to lifting equipment and mopping the floor at the end of the show. He is a member of the the Echo Park Film Center and teaches at various universities in Southern California.