| Führung durch die Ausstellung / Guided Tour | Führung durch die Ausstellung | |
| Festivaleröffnung / Festival Opening | Festivaleröffnung | |
| Panel der VDFK-Jury und Preisverleihung / VDFK jury panel discussion and prize ceremony | VDFK jury panel discussion and prize ceremony | |
| ANOHNI | Land before Last | Exhibition: Witnessing Witnessing |
| Abdel Rahman, Sanabel | I could swear my face was touching stone – Magic | Magic |
| Abdullayev, Agil | Radicals in between Trees and Dicks | Exhibition: Witnessing Witnessing |
| Abu Hamdan, Lawrence | The Diary of a Sky | An Ear-Splitting Blur |
| Alicia Priebe | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Aljafari, Kamal | A Fidai Film | Feature Films |
| Arbid, Danielle | This Smell of Sex | Film: Adorable Incendiary Bodies |
| Arke, Pia | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Athiridis, Dimitris | exergue - on documenta 14 | EMAF Extended |
| Balcom, Ben | The Phalanx | A Ghosting Absence |
| Barbara Kaesbohrer | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Baun, Jessica | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Bausch, Clara | movements to resist | S.P.A.C.E. EXPANDED Performances |
| Berendes, Stefan | Bitlabor | |
| Berger, Alisa | RAPTURE | Exhibition: Witnessing Witnessing |
| Bischof, Henning | Bitlabor | |
| Bleeptrack | Experimentelles Design > SteamSpace / Experimental Design > SteamSpace | Osnabrück University: Experimentelles Design > SteamSpace |
| Breguła, Karolina | The Storm | Exhibition: Witnessing Witnessing |
| Bruder, Prof. Dr. Bettina | Experimentelles Design > SteamSpace / Experimental Design > SteamSpace | Osnabrück University: Experimentelles Design > SteamSpace |
| Brück, Tom | Boys Never Liked Me | HBK Braunschweig |
| Brück, Tom | Power Bottom Looking for Human Decency | HBK Braunschweig |
| Bundschuh, Jona | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Burns, Diane | Alphabet City Serenade | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Böhmer, Julia | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Camiruaga, Gloria | Popsicles | Film: The Empire Will Fall |
| Chacon, Raven | Report | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Chamkhi, Jasmin | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Choo, Eddie Wen Yi | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Cimen, Zehra | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Clark, George | Sunless Haven | A Tangled Depth |
| Colectivo Los Ingrávidos | Guerras Floridas | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Cuthand, Theo | Dreams of Sunlight Through Trees | A Deflected Signal |
| Decker Orozco, Luciana | Spoils | Film: An Exploration of Consent |
| Delanghe, Chloë | Hexham Heads | A Ghosting Absence |
| Di Bianco, Anita | I could swear my face was touching stone – Continuities | Continuities |
| Dick, Laura | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Dietl, Felicitas | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Diop, Alice | Vers la tendresse / Towards Tenderness | Film: An Exploration of Consent |
| Doplgenger | Snimak pejzaža termita / Record of the Termite Landscape | Exhibition: Witnessing Witnessing |
| Drake, Sam | Suspicions About the Hidden Realities of Air | An Ear-Splitting Blur |
| Driesen, Mattijs | Hexham Heads | A Ghosting Absence |
| Dulaj, Miranda | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Dumler, Ines | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Edel Hardenberg, Julie | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Edison, Thomas | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Edvards, Vita | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Efrat, Eitan | Vents violents (two letters to Chantal Akerman) | A Lingering Wave |
| Eggert, Jana | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Eisler, Jana | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Epcar, Zachary | Sinking Feeling | A Reluctant Apparatus |
| Everson, Kevin Jerome | Practice, Practice, Practice | A Reluctant Apparatus |
| Farine, Anaïs | I could swear my face was touching stone – Technologies | Technologies |
| Favre, Laurence | Zerzura | A Tangled Depth |
| Feidieker, Medea | D_ > Fotos > 2012 > 07 Juli / D_> pictures > 2012 > 07 July | HBK Braunschweig |
| Fietz, Emilia | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Fischer, Stephanie | Bitlabor | |
| Flëks, Kondratij | It Will Be a Very Difficult Conversation | Academy of Art in Szczecin: It Will Be a Very Difficult Conversation |
| Foighel Brutmann, Sirah | Vents violents (two letters to Chantal Akerman) | A Lingering Wave |
| Fortuné, Maïder | Boomerang | A Lingering Wave |
| Fritzi Wagner | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Garten, Hanne | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Granados, Nadia | Plata o plomo / Money or Bullets | Film: The Empire Will Fall |
| Granados, Nadia | Focus: Nadia Granados. La Fulminante | Focus: Nadia Granados |
| Granados, Nadia | Focus: Nadia Granados. Colombianización | Focus: Nadia Granados |
| Greenfield, Luisa | The Unchanging Sea | S.P.A.C.E. EXPANDED Performances |
| Gärtner, Jannis | Hydrodynamic AR-Sandbox | Osnabrück University of Applied Sciences |
| Gómez-Peña, Guillermo | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Gómez-Peña, Guillermo | takes/gives | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Götz, Nici | The Claim of Non-Existent Spaces | HBK Braunschweig |
| Hall, Tonia Jo | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Hallermann, Hannah | SK Adjusters | Exhibition: Witnessing Witnessing |
| Hallmann, Prof. Dr. Kerstin | Master Kunst und Kommunikation / Master Art & Communication | Osnabrück University: Master Kunst und Kommunikation |
| Haschen, Joost | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Hatoum, Mona | Eyes Skinned | Film: The Imprint of a War |
| Hatoum, Mona | So much I want to say | Film: The Empire Will Fall |
| Haßfurther, Madita | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Hennecke, Maluna | Hydrodynamic AR-Sandbox | Osnabrück University of Applied Sciences |
| Heydari-Waite, Mina | فرنگ / Farang | A Lingering Wave |
| Hilari, Miguel | Cerro Saturno | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Hincapié, María Teresa | Vitrina / Vitrine | Film: The Empire Will Fall |
| Hopinka, Sky | When You're Lost in the Rain | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Horváth, Árpád | Basement Breakout | Osnabrück University of Applied Sciences |
| Hérétakis, Daphné | Αυτό που ζητάμε από ένα άγαλμα είναι να μην κινείται / What We Ask of a Statue Is That It Doesn't Move | A Change of Matter |
| Höner, Sophie | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Icingil, Almina | Hikayem | HBK Braunschweig |
| Icingil, Almina | Attention | HBK Braunschweig |
| Iimura, Takahiko | Shelter 9999 | Unburdened Recollections |
| Illi, Alexa | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Iyokina Gittoma, Ferney | La Trampa / The Trap | A Tangled Depth |
| Jana Sabelhaus | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Jansing, Malin | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Jovcic, Milica | Negotiations | S.P.A.C.E. EXPANDED Installationen |
| Jung, Hyejin | 네가 증오하는 우리의 진동 / Noise: Unwanted Sound | A Reluctant Apparatus |
| Kaaden, Kai Maximillian | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Kasearu, Flo | Illustrating the Request for Privacy | Exhibition: Witnessing Witnessing |
| Kassem, Farah | نحن في الداخل / We Are Inside | Feature Films: We Are Inside |
| Kaufmann, Michael | De-Fakto | Osnabrück University of Applied Sciences |
| Khalil, Adam | Aaniikobijigan TRAILER | Artists in Focus. New Red Order and Company: New Red Order and Co. 2 |
| Khalil, Adam | INAATE/SE/ [it shines a certain way. to a certain place/it flies. falls./] | Artists in Focus. New Red Order and Company: New Red Order and Co. 2 |
| Khalil, Adam | Blue Communique | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Khalil, Adam | Empty Metal | Artists in Focus. New Red Order and Company: New Red Order and Co. 1 |
| Khalil, Adam | Nosferasta: First Bite | Artists in Focus. New Red Order and Company: New Red Order and Co. 3 |
| Khalil, Adam | A I O U | Artists in Focus. New Red Order and Company: New Red Order and Co. 3 |
| Khalil, Zack | Aaniikobijigan TRAILER | Artists in Focus. New Red Order and Company: New Red Order and Co. 2 |
| Khalil, Zack | INAATE/SE/ [it shines a certain way. to a certain place/it flies. falls./] | Artists in Focus. New Red Order and Company: New Red Order and Co. 2 |
| Koch, Pranami | Koro Gochongni / Echoes Within | A Change of Matter |
| Kortemeyer, Moritz | De-Fakto | Osnabrück University of Applied Sciences |
| Kremer, Lukas | De-Fakto | Osnabrück University of Applied Sciences |
| Kriger, Juanita | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Kärki, Paavo | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Köhler, Lena | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Kılıç, Merivan | So wie die Sonne die Spuren des Regens löscht / Like the Sun Erasing the Traces of Rain | HBK Braunschweig |
| Kılıç, Merivan | Damda yatarken rüzgarı dinlerdik | HBK Braunschweig |
| Laju, Vincent | où la nuit tombe un bruit sourd . interlude illimité / where night falls a thud . unlimited interlude | S.P.A.C.E. EXPANDED Performances |
| Langen, Hannah | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Leaño, Jules | with a camera, we can freeze memories in time | S.P.A.C.E. EXPANDED Installationen |
| Lee, Jonathan Seungjoon | Dreams Of My Father | A Deflected Signal |
| Loebner, Lucian | Aufstehen, wenn der Wecker klingelt / Getting up When the Alarm Clock Rings | HBK Braunschweig |
| Lucier, Alvin | Shelter 9999 | Unburdened Recollections |
| Luganski, Diana | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Löffel, Gabriela | Grammar of calculated ambiguity | Exhibition: Witnessing Witnessing |
| Lübbe, Rieke | De-Fakto | Osnabrück University of Applied Sciences |
| Mari Hungermann | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Marie, Marin | Haz de mi rostro un líquido / Make My Face into a Liquid | S.P.A.C.E. EXPANDED Installationen |
| Marins, Sandra | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Martins Nunes, Mónica | Variações sobre como cultivar uma cidade / Variations on How to Farm a City | A Reluctant Apparatus |
| Maxy, Fox | Dusty Tapes | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| McConnell, Ella | Phase Change | A Ghosting Absence |
| Meier, Tina | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Meiners, Niklas | De-Fakto | Osnabrück University of Applied Sciences |
| Meinild, Maria | Blue Communique | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Melting Barricades | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Mendieta, Ana | Untitled: Silueta Series | Film: The Empire Will Fall |
| Metten, Anna-Lena | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Mikesch, Elfi | Macumba | Feature Films |
| Monika Witte | Bitlabor | |
| Monkman, Kent | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Monnet, Caroline | Mobilize | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| März, Anastasia | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Nashashibi, Rosalind | Electrical Gaza | Film: The Imprint of a War |
| Neidhardt, Irit | I could swear my face was touching stone – Technologies | Technologies |
| New Red Order | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| New Red Order | Never Settle: Calling In | Artists in Focus. New Red Order and Company: New Red Order and Co. 1 |
| New Red Order | Give it Back: Crimes Against Realty | Artists in Focus. New Red Order and Company: New Red Order and Co. 3 |
| New Red Order | Endless Acknowledgment | Artists in Focus. New Red Order and Company: New Red Order and Co. 6 |
| New Red Order | Never Settle: The Program | Artists in Focus. New Red Order and Company: New Red Order and Co. 6 |
| New Red Order | Culture Capture: Crimes against Reality | Artists in Focus. New Red Order and Company: New Red Order and Co. 6 |
| New Red Order | Give it Back: Stage Theory | Artists in Focus. New Red Order and Company: New Red Order and Co. 6 |
| New York Times | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Nezhyva, Olesia | It Will Be a Very Difficult Conversation | Academy of Art in Szczecin: It Will Be a Very Difficult Conversation |
| Niro, Shelley | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Pafundi, Melina | Haz de mi rostro un líquido / Make My Face into a Liquid | S.P.A.C.E. EXPANDED Installationen |
| Panzarino, Monica | Colorful Colorado Nails | A Deflected Signal |
| Pape, Franca | Ansitzen / To Sit on Watch | A Change of Matter |
| Peng, Kanthy | 掩门 / Ajar | A Tender Force |
| Pham, Thinh | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Phillips, Deborah S. | Berliner Gewässer / Bodies of Water in Berlin | S.P.A.C.E. EXPANDED Performances |
| Pindell, Howardena | Free, White and 21 | Film: The Empire Will Fall |
| Piron, Adam | Black Glass | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Poroszanka, Marcella | It Will Be a Very Difficult Conversation | Academy of Art in Szczecin: It Will Be a Very Difficult Conversation |
| Priebe, Mariella | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Priebe, Mariella | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Ratnik, Martyna | she's waiting for the sunset | A Deflected Signal |
| Remie, Sophie | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Restrepo, Camilo | La impresión de una guerra / The Imprint of a War | Film: The Imprint of a War |
| Reymond, Dania | Le Jardin d'Essai / The Trial Garden | Film: Adorable Incendiary Bodies |
| Rojas Forero, Jazmin | Nido de Cocodrilo / Crocodile Nest | A Tangled Depth |
| Ronneberg, Devin | Fever Dream | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Ronneberg, Kite | Fever Dream | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Rosenfeld, Lotty | Una milla de cruces sobre el pavimento / One Mile of Crosses on the Pavement | Film: The Empire Will Fall |
| Rosenfeld, Lotty | Una herida americana / An American Wound | Film: The Empire Will Fall |
| Rotert, Laura | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Rusch, Mariella | Behörde für Alltagszeugnisse / Authority for Daily Life Testimonials | Music and Art School Osnabrück: Behörde für Alltagszeugnisse |
| Rutkowski, Michelle | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Rüffert, Mika Malon | Scham / Shame | HBK Braunschweig |
| Samour, Nahed | I could swear my face was touching stone – Continuities | Continuities |
| Sansour, Larissa | Nation Estate | Film: The Empire Will Fall |
| Schams, Sophie | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Schedelbauer, Sylvia | 母の手紙 / Mother's Letter | A Deflected Signal |
| Schilowski, Julia | Timebased Media Art | Osnabrück University: Zeitbasierte Kunst |
| Schmidt, Angelina | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Schneider, Aliena | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Schroedinger, Kerstin | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Schönfeld, Silke | Die Unvorzeigbarkeit dessen, was nie hätte geschehen sollen / The impossibility of showing what should never have happened | A Tender Force |
| Scott, Walter | Organza's Revenge | Artists in Focus. New Red Order and Company: New Red Order and Co. 4: COUSIN Collective Presents: Temporal Territories |
| Seeger, Leon | Basement Breakout | Osnabrück University of Applied Sciences |
| Segebre, José B. | I could swear my face was touching stone – Bodies | Bodies |
| Seidel, Robert | Master Kunst und Kommunikation / Master Art & Communication | Osnabrück University: Master Kunst und Kommunikation |
| Selander, Lina | The Sun to Me Is Dark | A Change of Matter |
| Sepahvand, Ashkan | I could swear my face was touching stone – Magic | Magic |
| Sepahvand, Ashkan | I could swear my face was touching stone – Bodies | Bodies |
| Seybold, Katrin | Das falsche Wort / The Lie | Feature Films: Das falsche Wort |
| Shahid Saless, Sohrab | Empfänger Unbekannt / Addressee Unknown | Feature Films: Empfänger Unbekannt |
| Shoobridge, Jeremy | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Silver, Shelly | Former East/Former West | Feature Films |
| Snopko, Oliver | Basement Breakout | Osnabrück University of Applied Sciences |
| Sobków, Mateusz | It Will Be a Very Difficult Conversation | Academy of Art in Szczecin: It Will Be a Very Difficult Conversation |
| Sotos, Candela | Yrupẽ | Feature Films |
| Spiering, Nicklas | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Spitta, Melanie | Das falsche Wort / The Lie | Feature Films: Das falsche Wort |
| Srour, Heiny | ليلى والذئاب / Leila and the Wolves | Feature Films: Leila and the Wolves |
| Stańczyk, Anastazja | It Will Be a Very Difficult Conversation | Academy of Art in Szczecin: It Will Be a Very Difficult Conversation |
| Stefan Hestermeyer | Bitlabor | |
| Steingröver, Alexander | De-Fakto | Osnabrück University of Applied Sciences |
| Steinkamp, Jan | Basement Breakout | Osnabrück University of Applied Sciences |
| Stewart, Krista Belle | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Storch, Inuuteq | New Red Order and Co. 5 Anti-Ethnography | New Red Order and Co. 5: Anti-Ethnography |
| Streich, Michelle | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Sundman, Viktor | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Sweitzer, Bayley | Empty Metal | Artists in Focus. New Red Order and Company: New Red Order and Co. 1 |
| Sweitzer, Bayley | Nosferasta: First Bite | Artists in Focus. New Red Order and Company: New Red Order and Co. 3 |
| Sweitzer, Bayley | A I O U | Artists in Focus. New Red Order and Company: New Red Order and Co. 3 |
| Tejera, Ana Elena | A Love Song in Spanish | Adorable Incendiary Bodies |
| Terwiel, Benedikt | Land before Last | Exhibition: Witnessing Witnessing |
| Thoms, Emilia Ama | 🇩🇪 / Schland | HBK Braunschweig |
| Thoms, Emilia Ama | Immernoch / Still | HBK Braunschweig |
| Tkacev, Nicole | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Tobergte, Steffen | Bitlabor | |
| Tuchen, Darleen | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Tykkä, Salla | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Vesper, Josephine | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Vidokle, Anton | A I O U | Artists in Focus. New Red Order and Company: New Red Order and Co. 3 |
| Volmerson, Eva | Ensemble. A live event with film and performance | Academy of Fine Arts, Helsinki: Ensemble. A live event with film and performance |
| Vídeos nas aldeias | Já me transformei em imagem / Ma Ê Dami Xina / I’ve Already Become an Image | Film: An Exploration of Consent |
| Waal, Romy de | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Walter, Kira | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Watzlawick, Sophie | où la nuit tombe un bruit sourd . interlude illimité / where night falls a thud . unlimited interlude | S.P.A.C.E. EXPANDED Performances |
| Weber, Micah | All Said Done | A Tender Force |
| Weischnur, Andrea | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Wenau, Hendrik | De-Fakto | Osnabrück University of Applied Sciences |
| Wessolek, Dr. Daniel | Experimentelles Design > SteamSpace / Experimental Design > SteamSpace | Osnabrück University: Experimentelles Design > SteamSpace |
| Wienecke, Lewin | De-Fakto | Osnabrück University of Applied Sciences |
| Wildman, Peter | Experimentelles Design > SteamSpace / Experimental Design > SteamSpace | Osnabrück University: Experimentelles Design > SteamSpace |
| Wilms, Charlotte | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Wittmann, Helena | A Thousand Waves Away | A Ghosting Absence |
| Wojakowski, Ezra | It Will Be a Very Difficult Conversation | Academy of Art in Szczecin: It Will Be a Very Difficult Conversation |
| Wulf, Alina | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| Wuzella, Rinah Regina | Master Kunst und Kommunikation / Master Art & Communication | Osnabrück University: Master Kunst und Kommunikation |
| Yanisi, Crispin | Tila•pia | A Tangled Depth |
| Zhang, Else/Xun | The Snow to Fall | A Tender Force |
| Ziegler, Tom Raphael | Ballgefühl aka Ballistics | Osnabrück University of Applied Sciences |
| al-Sharif, Basma | We Began by Measuring Distance | Film: The Imprint of a War |
| al-Sharif, Basma | Home Movies Gaza | Film: The Imprint of a War |
| suKim | For Those with Unbearable Homes | HBK Braunschweig |
| suKim | 집 / Zip | HBK Braunschweig |
| suKim | Diagnose / Diagnosis | HBK Braunschweig |
| suKim | Taste of Green Banana | HBK Braunschweig |
| Álvarez Mesa, Pablo | La Laguna del Soldado / The Soldier's Lagoon | Feature Films: The Soldier's Lagoon |